Stieglitz's theory of equivalence, where images represent something other than the subject photographed, resonated with White's poetic nature. In the picture to the left, the framing of the rock formation creates an image of a woman's torso which is aptly named Double Navel. White uses this technique repeatedly in his photographs.
Equivalence
Stieglitz's theory of equivalence, where images represent something other than the subject photographed, resonated with White's poetic nature. In the picture to the left, the framing of the rock formation creates an image of a woman's torso which is aptly named Double Navel. White uses this technique repeatedly in his photographs.
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